Welcome to mitchmen gateway

Welcome to mitchmen.com, home of Mitchell's Gay Art.

This is my permanent gateway site.
I usually post here once a month, art and photos in praise of male beauty, strictly vanilla.
There's a link in the sidebar to a small public gallery of vanilla drawings by me (gallery last updated Feb 2019).
If you have problems with the link please read this notice.

You can find my more intense and frank work via my regular 'mitchmen' blog
(where I show my own pictures mixed with articles on other gay artists and images that excite me).

There's a 'Gallery Hub' tab at that blog which has onward links to:-
- All the official mitchmen galleries,
- The mitchmen mailing list (for the latest pictures and stories)
- The permanent mitchmen archive at Adonis Male.

I welcome comments from visitors but please avoid adult references,
I can't approve remarks which are not consistent with the vanilla format of this site
and unfortunately I can't edit your contributions!

Thank you for your interest and support.
Mitchell (Jan 2024).

Tuesday 30 December 2014

Wet Underwear

Diego Sechi photographed by Dylan Rosser
Wetting the skin of a model is a sure way to bring out the contours and details of his body in bright light, but wetting his underwear reveals more than just the secret contours within. A garment intended for civilised modesty instantly fails in contact with a natural element. There's a tantalising sense of sudden exposure here that is amplified by the model's furtive downward look - just to check.
Paradoxically, the wet creases encircling the legs actually increase the impression of tight containment, already created by the brightly coloured hems and waistband. This wet underwear show draws our attention to the lower part of this athlete's body and the truncation of his legs by the water level brings out the bulky substance and muscular tension of his thighs. 
This highly masculine imagery contrasts dramatically with the submissive hands on head pose with which the muscular model submits to the whims of the photographer and the vaguely threatening water in which he has been instructed to stand. It's a power relationship that always intrigues me, all the more so when the photograph seems intended to demonstrate just who is in control and who the controlled.
Photo by Dylan Rosser,
but you may find search engines more fruitful than his own site